Kosho (The Prisoner) (deleted 05 Apr 2008 at 05:47)

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Jmlk17 deleted Kosho (The Prisoner) because Expired PROD, concern was: This article asserts no notability through multiple reliable sources. For the same reason(s) as Wikipedia:Articles for deletion/Ryoute..
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30 March 2008 This page was deleted after a proposed deletion tag was added. The reason given was This article asserts no notability through multiple reliable sources. For the same reason(s) as Wikipedia:Articles for deletion/Ryoute..
Image:Kosho.png
The fictional sport of Kosho

Kosho is a fictional sport or martial art conceived by Patrick McGoohan for the 1967 television series The Prisoner. The exact significance of the name is not clear, though 'Kosho' (which can be translated as 'old book, rare book' '古書') is apparently a word applied to certain ancient martial arts that were practised in secret at the time when karate was forbidden.[citation needed]

Rules

The game of Kosho is played on two trampolines set on either side of a four-foot-by-eight-foot tank of water and bordered on two sides by a wall with an angled ledge and hand-rail. Two helmeted opponents each wear a boxing glove on their left hand and a lighter padded glove on their right, and while moving freely in three dimensions attempt to knock, push or throw each other into the tank. (There are similarities between Kosho and the team game of Hussade, created by Jack Vance in his 'Alastor Cluster' novels.)

Fictional context

Within the context of the social organisation presented in the series, one would imagine that the game provides a way for inhabitants of The Village to work off their frustrations and their aggressive energies in a 'safe' and 'controlled' setting; characteristically, however, the series makes no attempt to provide any kind of 'easy' discussion or explanation of this highly original feature of Village life.

Kosho is presented within the series as having Japanese overtones: not only is the name designed to suggest a Japanese origin, but the two bouts shown (in the episodes Hammer into Anvil and It's Your Funeral) are accompanied by heavily oriental-sounding, 'pentatonic' music played on ethnic instruments. (The track is Osaka, a piece of stock music composed by Nino Nardini and taken from the Chappell Recorded Music Production Library.) In the episode It's Your Funeral, the match begins and ends with a bow to the opponent, similar to karate bouts.

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